You Cant Spell Glitter Without Litter by Elizabeth Solich

Features

ARTIST NOTES: You Can’t Spell Glitter Without Litter (2022) by Elizabeth Solich, oil on canvas board, mixed media. Anthony is one very angry cuttlefish today. Why? According to the researchers, 1.9 million tonnes of paint end up in the oceans and waterways every year, which represents 58% of all the microplastics in the water, and outweighs other sources of microplastics, including textile fibres and tyre dust. Paint particles are part of the increasingly important microplastics (MPs) pollution of our oceans. They contain polyurethanes, polyesters, polyacrylates, polystyrenes, alkyls and epoxies. In spite of their prevalence, paint fragments are often excluded from MP audits. Glitters - microplastics, tiny plastic particles less than 5 millimeters long that can harm aquatic life in our lakes, rivers and oceans - is sold to the automotive paint indistry and is also used as a paint for planes or boats for their shiny finish and to attract fishermen buyer's to a good-looking boat and to hide the scratches and scuffs associated with hard fishing the boat will endure. There is also some belief that the reflection of the glitter will attract fish. In the ocean, microplastics can be mistaken for fish eggs and ingested by marine wildlife. These tiny particles can become trapped in their stomach, causing malnutrition and weight loss. They may also cause reduced feeding rates and lower rates of reproduction in some species. The degree of these effects, however, typically varies between species and stages of their life cycle.

DIMENSIONS (Height - 40.64 cm X Width - 50.80 cm )
MEDIUM ON BASE Oil on Canvas Board
GENRE Streetscape
REGISTERED NRN # 000-42270-0190-01
COPYRIGHT © Elizabeth Solich
PRIZES AND AWARDS No Awards

 

View At Home

 

Other images
 

Artist: Elizabeth Solich



ARTIST BIO

Adelaide based artist and photographer, Elizabeth Solich, has been honing her skills in underwater photography for the past seven years. Originally an architecture student, Elizabeth blended her photography skills and underwater observations of the fauna and flora with her drawing and painting experience, bringing about a perfect marriage of her two passions. Elizabeth's evolution into underwater photography allowed her to introduce another element to this union and extend the range of her talent even further. Her observations of marine fauna and flora allows Elizabeth to challenge boundaries, capturing the underwater world utilizing environmentally aware story telling in the exploration of movement and composition.  

Elizabeth shares her passion for everything underwater with the world. Through her artwork she expresses her never ending admiration for the weird and wonderful underwater creations of nature. Her works have been displayed at various exhibitions in Australia and overseas.